Matt Connors – Early Works on Paper

Ortuzar presents the gallery's second solo exhibition with Matt Connors, bringing together works on paper made between 2001 and 2004 that reveal the development of his formal language. About Ortuzar is pleased to announce "Matt Connors: Early Works on Paper," the gallery's second solo exhibition with the New York and Los Angeles based artist. Bringing together works on paper made between 2001 and 2004, the exhibition offers a view into the development of Connors's formal language. Drawing has long occupied an essential place within Connors's practice, providing a space in which line, color, and composition can be tested, rearranged, and allowed to remain unresolved. Rather than serving as studies for paintings, the drawings exist in a reciprocal relationship with them, allowing ideas to move freely between the two media and resisting any fixed hierarchy. Working across gouache, colored pencil and collage, these early works reveal an artist looking closely at the overlooked visual incidents and objects of everyday life and translating those observations in and out of abstraction. The works draw from a seemingly disparate field of references: textile design, piles of fabric and clothing, architectural forms, and the saturated color and optical experimentation of historical type and graphic design. Connors moves freely between observation, invention, and omission, allowing ordinary objects to become unstable and associative. Across the drawings, passages of exquisite detail are balanced by a striking restraint, with the worked image often occupying only a fragment of the paper and leaving broad expanses of the sheet untouched. This economy gives even the smallest forms an unusual intensity: contours loosen, surfaces become fields of color and texture, and recognition gives way to a constellation of relationships. In one work, a form suspended in space gradually takes on the appearance of a skull, as arrangements of line, shape, and negative space slip unexpectedly into representation. Yet the image never fully resolves as such, recalling the tradition of the memento mori while remaining elusive in its meaning. Elsewhere, pattern slips into architecture, fabric becomes landscape, and recognizable forms dissolve into arrangements of color and shape. Translating optical experience into the physical accumulation of marks on paper, the drawings occupy an unstable space between seeing and touching, recognition and abstraction, knowing and not knowing. The closer one looks, the less securely the thing itself can be held in view. Matt Connors: Early Works on Paper, a catalogue dedicated to this body of works on paper, will be published on the occasion of the exhibition. The publication is designed by Jordan Weitzman of Magic Hour Press. Read more Toggle Mixed media Drawing